Edward S. Curtis

Over 2,200 pictures from Edward Curtis and others from the late 1800's to the 1920's!

The Invisible Tribe "What a Man Can't Know, the Eagle Sees

book cover

"I am invisible, understand, simply because people refuse to see me." ~Author Ralph Ellison 1952

In his first novel, The Invisible Tribe, Adrian Roman embarks on a formidable quest, namely, writing socially responsible fiction in an America blind to the plight of its indigenous people.

My editor, Pat Wick offers this preview:

"The Invisible Tribe is a modern murder/mystery/thriller set in the Choctaw Nation. The people choose martial arts master John Wilkerson Tall Bear to lead their fight against systemic racism, governmental corruption and the sinister villain Steppenwolf. Elvis fans are left wondering, why? Rooted in Durant, Oklahoma, the battle extends from Talihina in the north to Dallas in the south and touches countless small towns in-between.

The action, political intrigue and surprising plot twists of the original have been streamlined for a more engaging read. Lively characters and realistic dialogue promote Native identity as a means to survive and thrive. As it champions Choctaw full bloods and their ancestors, The Invisible Tribe urges future generations to find worth in a more simple way of life."

You and your friends can send $20 to paypal.me/chieftian for an autographed copy!

"I had participated in an American Indian Ceremonial sweat last weekend and experienced a vision, so I thought. My vision was a strange one, if in fact that is what it was. In my vision, I saw an ancient Roman Solider and an American Indian Warrior riding on horseback side by side on a mountain top. I saw a herd of buffalo in a valley surrounded by lush woodlands. Leading the herd is a magnificent white buffalo. The Sacred White Buffalo is significant among American Indian culture. Were the two warriors on a buffalo hunt together? In my vision, I noticed red streaks down the flank of the White Buffalo. Had he been wounded? This would have been a tragedy for the birth of a white buffalo happens once in a lifetime. Then my vision faded away." ~John Wilkerson Tall Bear

Adrian RomanThe Invisible Tribe is a fictional book about how the Choctaw Nation of Oklahoma has ignored its people with substantial Indian blood. The Nation has turned its back on the Indian philosophy and ancient’s way of their people. Corruption and greed for money and how to accumulate great wealth is the order of the day. It tells about the tragic journey of a small group of full blood Choctaw Indians who began to feel discriminated against and are outcast within their own tribe. They began to unite in small Indian churches and form an underground movement to create a new full blood tribe. The mission of this organization Chahta Amoma Atokoli (Choctaw full bloods) is to get their new tribe federally recognized.

They select a leader; John Wilkerson Tall Bear and their journey begins. Thru events and murders of some of their members they march on the Choctaw Capital and take the Chief of the Choctaw hostage. Misdeeds are discovered and the current Chief of the Choctaw Nation falls from grace.

Through events he orchestrates Tall Bear along with a trusted friend and a pretty half Indian Senator name Rachel Jim, he becomes Chief of the Choctaws. The 200,000 member tribe is reduced to 20,000 members by installing a higher blood quantum requirement to become a member. He begins taking care of his people where the former Chief looked the other way. For the first time members began receiving dividends checks from the casino money.

Through ceremonial sweats, a mystical visitor from the past helps John Wilkerson Tall Bear begin to instill the ancient ways and honor back into the modern day tribe of Choctaw Indians.

ECurtisEdward Sheriff Curtis (February 16, 1868 – October 19, 1952) was an American photographer and ethnologist whose work focused on the American West and on First Nations people.

Curtis was born on February 16, 1868, on a farm near Whitewater, Wisconsin. His father, the Reverend Asahel "Johnson" Curtis (1840–1887), was a minister, farmer, and American Civil War veteran born in Ohio. His mother, Ellen Sheriff (1844–1912), was born in Pennsylvania. Curtis's siblings were Raphael (1862–c.1885), also called Ray; Edward, called Eddy; Eva (1870–?); and Asahel Curtis (1874–1941). Weakened by his experiences in the Civil War, Johnson Curtis had difficulty in managing his farm, resulting in hardship and poverty for his family.

Around 1874, the family moved from Wisconsin to Minnesota to join Johnson Curtis's father, Asahel Curtis, who ran a grocery store and was a postmaster in Le Sueur County.[3][5] Curtis left school in the sixth grade and soon built his own camera.

Early Career:
In 1885, at the age of 17, Curtis became an apprentice photographer in St. Paul, Minnesota. In 1887 the family moved to Seattle, Washington, where he purchased a new camera and became a partner with Rasmus Rothi in an existing photographic studio. Curtis paid $150 for his 50% share in the studio. After about six months, he left Rothi and formed a new partnership with Thomas Guptill. They established a new studio, Curtis and Guptill, Photographers and Photoengravers.

In 1895, Curtis met and photographed Princess Angeline (c. 1820–1896), also known as Kickisomlo, the daughter of Chief Sealth of Seattle. This was his first portrait of a Native American. In 1898, three of Curtis's images were chosen for an exhibition sponsored by the National Photographic Society. Two were images of Princess Angeline, "The Mussel Gatherer" and "The Clam Digger". The other was of Puget Sound, entitled "Homeward", which was awarded the exhibition's grand prize and a gold medal. In that same year, while photographing Mt. Rainier, Curtis came upon a small group of scientists who were lost and in need of direction.[7] One of them was George Bird Grinnell, considered an "expert" on Native Americans by his peers. Curtis was appointed the official photographer of the Harriman Alaska Expedition of 1899, probably as a result of his friendship with Grinnell. Having very little formal education Curtis learned much during the lectures that were given aboard the ship each evening of the voyage.[8] Grinnell became interested in Curtis's photography and invited him to join an expedition to photograph people of the Blackfoot Confederacy in Montana in 1900.

The North American Indian:
In 1906, J. P. Morgan provided Curtis with $75,000 to produce a series on Native Americans. This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment.

Once Curtis had secured funding for the project, he was able to hire several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers.[10] For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington. Perhaps the most important hire for the success of the project was Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, who had researched Native American peoples of the southwestern United States. Hodge was hired to edit the entire series.

Eventually 222 complete sets were published. Curtis's goal was not just to photograph but also to document as much of Native American traditional life as possible before that way of life disappeared. He wrote in the introduction to his first volume in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." Curtis made over 10,000 wax cylinder recordings of Native American language and music. He took over 40,000 photographic images of members of over 80 tribes. He recorded tribal lore and history, and he described traditional foods, housing, garments, recreation, ceremonies, and funeral customs. He wrote biographical sketches of tribal leaders. His material, in most cases, is the only written recorded history, although there is still a rich oral tradition that preserves history.[2][11] His work was exhibited at the Rencontres d'Arles festival in France in 1973.

Source: https://en.wikipedia.org/wiki/Edward_S._Curtis

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